I use the immaterial qualities of video and music to create work about invisible or mentally projected elements such as perception of consciousness and emotion. In my investigations of sound and images I wanted to experiment with the concept of “field recording” a term used to describe environmental sound recordings but to apply it to video. While staying on the small island Hitra of the coast of Norway -
I recorded and recomposed the images and constructed a visual portrait that hints to the inner process of how we see, read information and register reality.